The Big Sleep…

Don’t you just love this picture of Joan Didion? She looks so vulnerable—like she just woke up from a nap.

Hi there, Lovelies. It’s 79 and gorgeous along the Hudson where I have been leaning out… way out over the last 6 weeks. Another shout from the cool, dark little corner of New York where the fan on my desk whirs away and I ponder over how to organize a new thriller tentatively titled MUSE WITCH BEAST. Again, all kudos and love to Jami Attenberg’s #1000wordsofsummer for fueling my creative sleep.

There’s a lot of connective tissue that remains to be woven across the bones of the monstrous creature but if I’ve learned anything at all from writing SPAZ (or Gotham Girl Interrupted as it’s now titled) it’s that the book you set out to write is rarely the book that gets written.

One minute you’re penning a heady little yarn about creativity, electricity, and the brain, the next you’re wading through the swampy musings of what it means to be the loudest mute lady in NYC, and now I’ve ended up with this very long thank you note to the people who’ve looked after me all these years of dealing with epilepsy. One thing I’ve noticed (and I don’t think I’m imagining it) is that as you edge closer and closer toward your release date, the more squirrelly people around you become. They’re entirely more careful about what they say in your presence. Their voices go up an octave, sharpening in this nervous, whistling-past-the-graveyard kind of way. It’s as if they are preparing to be completely horrified by some revelation, embarrassment, or cringe-worthy detail you may have included about them. Some go radio-silent altogether. It’s surreal.

There’s this awful story/rumor that came across my feed during final editing about a memoirist who wrote a tell-all of her marriage. Apparently, her husband read it and immediately committed suicide. The prospect of any reader feeling driven toward such tragic action by anything I might jot down completely terrifies me. We’re all unreliable narrators (even of our own stories) and what if we inadvertently trigger someone or everyone? Should there be some kind of warning label like at the beginning of Incredibles 2? It keeps me up at night. The thing I woke up to however during the writing process is that while my own style of comedy often vacillates between ridiculous self-deference and subversive snark, the target is always just me. I think I’d always rather have everyone else coming off clever and effing hilarious.

I want to ask other comedians and writers about this… I especially want to ask Ottessa Moshfegh if people she knows recognize themselves in her books, or is it all some kind of wild fictitious channeling? I am reading her latest about a white girl with a trust fund who self-medicates to the point of a near-continuous blackout in the hopes of changing her life in her sleep. Who knew self-destruction could be so entertaining? There are many days I would like to nap my way to a better existence.

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Her voice is intoxicating—with zero fear of the grotesque. She also portrays privilege in a manner that makes it hard to look away.

Alas, no big sleep for any of us yet…  Get outside today, Lovelies – XOXO – GG

Big Little Sighs

Photo illustration by Cristiana Couceiro. Source photograph: Igor Ustynskyy

Hello, Lovelies… How the hell are you?

Behold, Spring. Mother nature’s way of saying, “Let’s get down!”

Amid the four nor’easters we’ve had here, I’ve found it necessary to shelter inside an emotional support meatloaf… Vegetarians, look away. This one’s a mashup of Ina Garten’s recipe tempered with the dark arts of Lipton onion soup mix. (Thereby sparing everyone the weepy misery of chopping three yellow onions in favor of a little packet of MSG nirvana.)

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It’s a blend of high and low culture that satisfies every time—much like champagne and potato chips. Oh, but gone are those days. A cheat day now and then is the best I can muster. And I’ve been cooking at the end of a long, snowy road, on hiatus from the city while I freight train through two TV scripts.

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One, dealing with neurodiversity, I’ve started and stopped at least twenty times with my writing partner… I’ll say cranky things like, “No, no, no… That’ll never work, that’s been done…”  just as he manages to pry the barnacles off and we come up with something nifty and almost weird enough to work. The other script is a single-camera half-hour rom-com series built around epilepsy, anxiety, and depression. My heart/brain still skips a beat/synapse that anyone’s actually interested, but there it is.

For reading during this latest storm/news cycle… I’d originally planned something intellectually rigorous like Diane Ackerman’s gorgeous A Natural History of the Senses. (Imma comin’ Diane!)

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Instead, I found myself retreating to the comforts of David Rakoff’s hilarious essay collection Fraud (since imposter syndrome is the central theme of my life).

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I’ve also been fangirling the eff out of some of my favorite writers on women’s pain and addiction like Abby Norman (review of Ask Me About My Uterus to come!) and Leslie Jamison.  Damn… Jamison’s words in her anti-memoir The Recovering: Intoxication and Its Aftermath “More. Again. Forever…” recalled the watery longing of mothers I knew from many a wine-soaked book club, the palpable ache for a deeper connection, more than for access to any Jack London’esque “white light” of creativity.

I’ve never been one who can write on the sauce (despite loving it). And I don’t get writer’s block as much as a kind of writer’s malaise that manifests in the form of big little sighs, working alone every morning in my pajamas, until some Mary Karr-ish language tumbles out: Fuck. Shit. Fuck. Don’t. You daft girl… Who on earth ever told you that you could do this? 

But then I go on. Here’s a great huzzah to the thrumming of buds and bugs and to a few more words.

Until tomorrow, hold fast – XOXO – GG

It’s 2018. Where’s My Sandwich?

Hello, Lovelies… How the hell are you?

I just read that Eartha Kitt had a threesome with Paul Newman and James Dean. (It was the old girl’s birthday this past week) Of the nookie, she remarked, “That time back in my dance studio ranks as one of the most celestial experiences of my life. Those two beauties transported me to heaven. I never knew lovemaking could be so beautiful.”

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“Good God,” I texted a friend, “I need to completely rethink my life choices.”

“Can I please have my cause of death be listed as ‘sandwiched between James Dean and Paul Newman’?” came her swift reply.

Hells to the yeah! They can put it right there on my tombstone. I won’t even blush. Why should I? It’s 2018. Where’s my sandwich? We have a president who likes to be spanked with his daughter’s face.

And, would that there were a way to extract that monstrous ego of his, dry it like a root vegetable, grind it into a fine powder and snort it… if only to get through the rest of what’s coming.

Isn’t it convenient when crippling anxiety doubles as your daily cardio? I don’t know about you but I have to get all my news from McSweeney’s just to keep from having a goddamn seizure on the Q train these days. In the meantime, I am conjuring up a call sheet for Project G to shoot this summer. The cover reveal for Gotham Girl, Interrupted should be any day now… and when not marching I actually managed to fly through the below tome over the weekend:

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With clean, fluid prose you’ll devour, this stunner had descriptions of agoraphobia so vivid, I wondered if Finn had personal experience with the condition. (Anyone?) Add to this… all the references to badass ladies of suspense classics like Vertigo and Rear Window and it’s the perfect escape from our ongoing Black Mirror existential hellscape. I heartily recommend…

Okay, New York is noisy tonight and I must away to toil but stay rad, stay sane, and above all stay safe… XOXO – GG